SCBWI OKLAHOMA FALL RETREAT

SCBWI OKLAHOMA FALL RETREAT October 9-10, 2015   BEST WESTERN MOTOR LODGE, STROUD, OKLAHOMA BETWEEN OKC AND TULSA   Register On- Line:   –  https://oklahoma.scbwi.org/events/scbwi-oklahoma-fall-retreat/     OR Download Registration Form: OK 2015 FALL RETREAT
FRIDAY, October 9, 2015 Daytime Program:9:00 AM — 4:00 PM
	Illustrator Track - Tim Jessell  www.timjessell.com Full day of technique instruction, hands-on practice, and group critique.
	Picture Book Track - Janee Trasler www.trasler.com Successful picture book writer. Morning workshop.
	Novel Track - Anna Myers www.annamyers.info - with Pati Hailey  & Ginny Sain Novel writing/editing workshop including drama techniques for character development.
Afternoon for Picture Book/Novel Tracks First Pages and Panel Discussion
FRIDAY Evening Program  6:30 PM — 8:00 PM
	Fan  The Spark of Creativity - Keynote Address - Linda Urban www.lindaurbanbooks.com Successful author of picture books and novels.
SATURDAY, October 10, 2015 9:00 AM — 5:00 PM
	Editing Workship – (Part 1) - Linda Urban		9:00 – 12:00
	Lunch Break		12:00 – 1:30
	Editing Workship – (Part 2) - Linda Urban		1:30 – 4:30
	Closing Remarks		4:30 – 5:00

Expand Your Horizons with Twitter Contests

First thing you need to do before you read any more of this post is start a Twitter account. I know, it’s the last thing you want to do. I hated it at first and was so confused and intimidated about tweeting, but if you’re serious about getting your book published, you really should create an online presence. Here’s why:

• You meet other writers. Just using #amwriting when I tweeted brought me in contact with other writers from around the world and I started to build a following.
• You gather a growing fan base. The writing community champions fellow writers, so your good news will be retweeted and the more followers you have the more their followers might be seeing the be announcements about your book release (Dream big…you will one day have a book release date!)
• You learn about contests. There are so many writers online that want to help fellow writers. It’s amazing the free time people put into organizing contests and then reading all the entries. Besides getting amazing feedback, you also get info about your book in front of many more agent eyes than just sending a query through their email.

So now I want to focus on contests. I’ve done a few different kinds and here are my opinions about each. If you have a completed manuscript, query, and synopsis, then you really should be putting it out there in these contests. Yes, there might be a little rejection, but the encouragement far outweighs it. Plus, people are donating their time to share with you about how to improve your book.

#PitchSlam - http://llmckinney.com/pitch-slam/ 

This is a semiannual contest that is organized by L.L. Mickinney @ElleOnWords. You didn’t have to have a Twitter account for this one, but it helps to keep up with what’s going on. There are four rounds where you submit your pitch and first 250 words and receive feedback from a team of writers and editors. Then you have a chance to polish your work before the final choices are made about which submissions will be presented to agents. Best thing about this contest is it has guaranteed feedback! Next one is coming up in October. Check the website for exact dates.

#SunVsSnow - https://chasingthecrazies.wordpress.com/2014/12/11/its-back-2015-sun-vs-snow-contest/

This is an annual contest hosted by Amy Trueblood @atrueblood5 and Michelle Hauck @Michelle4Laughs. Usually held in January, the above link is for this past year’s contest, but keep tabs on the site for when the new dates will be posted. It’s similar to #PitchSlam in that you do get feedback before agents see your submission.

#PitMad - http://www.brenda-drake.com/pitmad/

Organized by Brenda Drake @brendadrake, this contest includes a full day of tweeting your pitch over and over, getting it on the feed so agents might see it and request more from you. Best thing about it is Twitter won’t let you tweet the exact same thing twice, so I had to think hard about how to write multiple pitches that fit only into 140 characters. I felt like they kept getting better the more I worked on them. Next one is December 4th, so I encourage you to do it!

#PitchWars - http://www.brenda-drake.com/2015/07/pitch-wars-2015-is-coming-are-you-ready/ 

This was by far the most stressful, but exciting contest I entered, and Brenda Drake is a champion for running it every year. You submit a query letter and the first chapter of your book to five prospective mentors (agented and/or published authors). Then they spend two weeks reading and debating who gets to mentor which manuscripts. Initially, I had three of the five I submitted to request to read more, then it was silent for two whole weeks! That was the stressful part. 

So I was ecstatic when I saw my name on the mentee list! So now I get to spend two months editing my whole manuscript with my mentor Tom Torre @CopernicusNerd before agents take a look at it. This is a huge benefit to any writer, and I’m so grateful for the time and interest these mentors give to all the mentees.

But, even if I didn’t make it, the contest would have been totally worth it. Many of the mentors write back to everyone who submitted to them, giving them a bit of feedback. Also, I learned so much just from people tweeting encouragement to keep writing and giving tidbits of advice. I also have a new bunch of followers and writers I feel confident to call upon when I have questions.

Unfortunately, this contest will not happen until next year, but there are many others coming up if you just keep an eye out on Twitter.

So I hope to see you on Twitter soon! My handle is @Kaup_Novel

Let Your Characters Choose Your Point of View

So, you’ve got this idea for the next best-seller in children’s books. You take the time to plot out the story line, develop your characters, and do some background research for your setting. Then you sit down and write, but what appears on the page is not what you expect.

This happened to me when writing my most recent novel. I love telling stories from my characters’ point of views, so I had always written in first person. I also enjoy the immediacy of present tense. So all my books up to this point had the main character as the narrator, giving the reader a play-by-play of what was happening.

But there was only one problem with my new novel—my audience would be preteen Americans and my main character is a European boy who struggles with English. See my dilemma? How could I make my intelligent European character appear smart if he had a limited vocabulary? He also has a thick accent, so it would be a challenge to constantly write his mispronunciations. I could’ve changed him into a slick, foreigner with a sharp tongue, but he would no longer be the same character and I didn’t want to lose him. So I flipped into third person past tense for the first time. It was hard at first and my writing was a little clunky, but now the reader can understand why my main character is the way he is.

Then I faced another surprise—a different character demanded more attention. I would’ve been very limited using first person, but now with third, this secondary character gets chapters all to herself and her perspective is the perfect contrast to my main character.

So don’t limit yourself to one point of view until you know your characters. Try writing one chapter multiple times each in a different point of view. I’ve not delved into second person, but there are a number of authors, especially for middle grade, that do this now. Explore your novel through the eyes of your characters and let them have the voice that is perfect for your story.

(And when in doubt, let your excellent critique group give you their opinions!)

There’s still time to join us at the SCBWI-Oklahoma Spring Conference!

Society for Children's Book Writers and Illustrators 

Oklahoma Spring Conference

Saturday, March 28, 2015

Crowne Plaza Hotel-Tulsa Southern Hills

Registration Open Until Thursday, March 26

Register at: oklahoma.scbwi.org

Questions: newtonhelendunlap@gmail.com

SPEAKERS and Topics for the SESSIONS 

Laura Biagi – Jean V. Naggar Literary “The Spark an Agent Brings to the Table”

Julie Bliven – Charlesbridge Publishing “Elements of a Successful Picture Book”

Kristine Brogno – Design Director for Chronicle Books  “Words + Pictures/Pictures + Words: The Difference That Creates That Spark!” 

Alyson Heller – Aladdin Books  “Put a Spark in Your First Pages/Chapters”

Erica Finkel – Abrams Books   “Put a Spark in Your Submission by Knowing the Market”

Rachel Orr – Prospect Agency   “Main Conflict: The Spark That Fires Up a Manuscript” & “A Conversation with an Agent & Author” (with author Jen Latham) 

Blog Hop Submission

This is a sample of my writing that is awaiting critiques from other writers. Please feel free to join in with commenting below. Thanks!

(Query was updated on Feb. 14th after some wonderful suggestions.)

Title: The Mirage Shifter

Genre: Middle Grade Fantasy

Word Count: 55,000

Dear Agent Person,

Twelve-year old Aiden Flanagan wishes he was normal, but his brain has always been a little off kilter. It enables him to catch people when they’re lying, which is pretty neat, but it also affects his vision, enabling him to see an invisible world just inches from reality. But when his best friend Jake goes into a coma and Aiden sees him walking the streets of New York in a hospital gown, Aiden fears his friend is close to death, if not already dead.

Following Jake through Battery Park, Aiden jumps after him into the East River and they pass through the Mirage, the thin veil that hides people’s dreams from reality. Aiden learns Jake is only dreaming and still in his coma, but Aiden’s old childhood imaginary friend is real and doesn’t want Jake to wake up. Navigating between the dream world and reality, Aiden races to wake Jake before they’re both stuck in his dream forever.

I am an active member of SCBWI. Thank you for your consideration and I look forward to hearing from you.

Sincerely,

G. K. Kaup

CHAPTER 1

The high pitched humming of the approaching subway hits my ears at the same moment I see the boy walking on the tracks.

“Stop the train!” I yell, pointing at the boy.

People on the busy platform turn to me and then to the tracks. No one gasps or screams or yells for someone to save the little barefoot kid. Barefoot? In the middle of February? I step onto the yellow line and bend over the tracks, trying to get a closer look at his face. Tan skin, dark hair, and eyes as blue as a Bunsen burner flame. I know those eyes. He holds my gaze and smiles before he disappears.

“Are you crazy, Aiden?” Jake shouts, yanking me back just before the subway passes in front of us.

Breaks screech to a halt and then the subway doors slide open. People glare at me and shake their heads as they press to get inside.

“Stupid kid,” mumbles an old man.

Jake pushes me in front of him and gets us to the seats at the back of the car.

“So?” he asks. “What was that all about?”

I swallow and realize this is the first time I've thought about lying to my best friend. I can’t tell him I just saw an invisible friend, because if I do, he’ll really think I’ve lost it.

I try to laugh, but it comes out as a cough. “I don’t know, you know? It looked like there was something on the tracks.”

Starting my 3rd Book Right

I almost finished my first book. Technically, I have an ending. Well, multiple endings, but I didn’t go back and edit. My second book I actually completed and did multiple edits. I even sent it to some agents, but no one has taken it. I never felt quite right about the query and first ten pages, which is all they ever look at. Or maybe they just stopped after the first sentence.

I used the discovery method for each of these books—it’s the method where you write and see where your story takes you. That led to hours and hours of rewrites. So, on my third book, I decided to get organized.

I did myself a little Google search and found AdvancedWriting Fiction. I was wary at first, thinking it looked like one of those long sites that reels you in at the end with a sales gimmick.

It was definitely one of those sites.

But I didn’t need the software and Randy Ingermanson was kind enough to list the ten steps I needed to start my book right.

Currently, I’m almost thorough with eight of the ten steps. (The last two are chapter summaries and actually writing the book). But I love that I know my characters and my story now. My previous problems centered around trying to fit my main character into a world where I was as clueless as them about what was going to happen. So my finished products were choppy and inconsistent and I had too many themes to keep track of.

I have yet to decide if this method with be my standby in the future, but I’ve enjoyed the process so far. Writing will start in the next few weeks and if I can just get over the hump of where to actually begin my novel, I hope it will be easy sailing. We’ll just have to see.